HITCHCOCK'S FILMS AND CAMEO APPEARANCES
British Films:
YEAR |
FILM |
APPEARANCE |
1925 |
THE PLEASURE GARDEN |
|
1926 |
THE MOUNTAIN EAGLE |
|
|
THE LODGER |
seen from the rear in an office scene;later, he is a member of the crowd during the arrest |
1927 |
DOWNHILL |
walks past a tennis court carrying a walking stick |
|
EASY VIRTUE |
|
|
THE RING |
|
1928 |
THE FARMER'S WIFE |
|
|
CHAMPAGNE |
|
1929 |
HARMONY HEAVEN |
|
|
THE MANXMAN |
|
|
BLACKMAIL |
reading a newspaper on the subway while a little boy bothers him |
1930 |
ELSTREE CALLING |
|
|
JUNO AND THE PAYCOCK |
|
|
MURDER |
passing by in the street |
1931 |
THE SKIN GAME |
|
1932 |
RICH AND STRANGE |
|
|
NUMBER SEVENTEEN |
|
1933 |
WALTZES FROM VIENNA |
|
1934 |
THE MAN WHO KNEW TOO MUCH |
|
1935 |
THE 39 STEPS |
passing by in the street when Robert Donat leaves the Music Hall with "Annabella Smith" |
1936 |
THE SECRET AGENT |
|
|
SABOTAGE |
a patron at the ticket window of the cinema? |
1937 |
YOUNG AND INNOCENT |
a frustrated photographer outside the courtroom |
1938 |
THE LADY VANISHES |
glimpsed at a London railway station |
1939 |
JAMAICA INN |
|
1944 |
BON VOYAGE |
|
|
AVENTURE MALGACHE |
|
American Films:
1940 |
REBECCA |
near a phone booth from which George Sanders makes a call |
|
FOREIGN CORRESPONDENT |
reads a newspaper while passing Joel McCrea on the street |
1941 |
MR. AND MRS. SMITH |
passes Robert Montgomery on the street |
|
SUSPICION |
puts a letter in a mailbox in front of a bookstore |
1942 |
SABOTEUR |
at a news stand |
1943 |
SHADOW OF A DOUBT |
holds a full house in a card game on the train |
|
LIFEBOAT |
pictured in an ad in a newspaper read by William Bendix |
1945 |
SPELLBOUND |
gets off an elevator in the hotel |
1946 |
NOTORIOUS |
one of the party guests drinking champagne |
1947 |
THE PARADINE CASE |
carrying a cello case |
1948 |
ROPE |
walks along the sidewalk with a woman just after his director's credit fades from the screen |
1949 |
UNDER CAPRICORN |
at Governor's reception; later, on steps of Government House; AH's only cameo where he appears in period costume |
1950 |
STAGE FRIGHT |
turns back to look at Jane Wyman as she talks to herself on the street |
1951 |
STRANGERS ON A TRAIN |
boards a train carrying a double bass |
1952 |
I CONFESS |
crosses the top of a long outdoor staircase at the start of the film |
1954 |
DIAL M FOR MURDER |
pictured in the reunion photo that Ray Milland takes off the wall to look at |
|
REAR WINDOW |
winds a clock in the courtyard apartment of the songwriter |
1955 |
TO CATCH A THIEF |
sitting next to Cary Grant on the bus (not visible on non-letterboxed video) |
1956 |
THE TROUBLE WITH HARRY |
walks past John Forsythe's outdoor art exhibition |
|
THE MAN WHO KNEW TOO MUCH |
seen from the rear watching some acrobats in the Moroccan marketplace |
1957 |
THE WRONG MAN |
introduces the movie in the prologue |
1958 |
VERTIGO |
crosses the street outside Gavin Elster's office |
1959 |
NORTH BY NORTHWEST |
hustles to catch a bus and its doors slam in his face |
1960 |
PSYCHO |
stands on the sidewalk outside Janet Leigh's office wearing a big cowboy hat |
1963 |
THE BIRDS |
walks two dogs (his own) from the pet shop |
1964 |
MARNIE |
emerges from a room into the hotel corridor, looks at Tippi Hedren, and then looks at the camera |
1966 |
TORN CURTAIN |
sitting in the hotel lobby with a baby on his lap |
1969 |
TOPAZ |
in a wheelchair at the airport |
1972 |
FRENZY |
a spectator at the rally right after the credits, when a body floats in to shore |
1976 |
FAMILY PLOT |
in silhouette through the glass of the door at the Office of Vital Statistics |
bgs: 09-01