PRINCESS MONONOKE (1997) C widescreen / animation 134m dir: Hayao Miyazaki

Japanese version: w/Yoji Matsuda, Yuriko Ishida, Yuko Tanaka, Kaoru Kobayashi, Masahiko Nishimura, Tsunehiko Kamijo

English version: w/Billy Crudup, Billy Bob Thornton, Minnie Driver, John DiMaggio, Claire Danes, Jada Pinkett Smith, Gillian Anderson, Keith David

From the Turner Classic Movies website, www.turnerclassicmovies.com, the article "Princess Mononoke" by Felicia Feaster: "Set in the 14th century, Japanese director Hayao Miyazaki's film Princess Mononoke (1997) depicts a battle between human beings destroying the earth and the gods of the forest led by the wolf god Moro. During Japan's Muromachi Period, the film's hero Ashitaka is bitten by a demon-possessed wild boar and sets off on an epic journey for the deer-God Shishigami who can destroy the evil growing inside him. Ashitaka begins his adventure riding his faithful antelope-like steed Yakul. He comes upon an Iron Town presided over by Lady Eboshi who is stripping the forest of natural resources to make weapons. The Wolf God Moro and the human companion he has raised, San, battle Lady Eboshi's incursions into their domain. San communicates with the nature spirits in opposition to humankind and is the Princess Mononoke of the film's title. Miyazaki was greatly influenced by his intellectual and strong-willed mother whose personality can be seen in some of Miyazaki's notably tough, independent female characters including San and Lady Eboshi.

"Ashitaka tries to find a way for humanity and nature to coexist in Miyazaki's story which is heavily influenced by Japanese folklore and history. In Japan, a mononoke translates to 'spirit of a thing,' a kind of ghost held responsible for everything from natural disasters to aches and pains.

"But Japanese culture was not the only influence on Miyazaki's story. In the late Seventies Miyazaki made sketches involving a beautiful princess living in the forest with a beast in a storyline reminiscent of the classic fairy tale Beauty and the Beast. Ashitaka's quest, which takes him far from home, also echoes the classic novel Pilgrim's Progress and the ancient fable Gilgamesh. Drawing from a diverse narrative tradition, Miyazaki has also acknowledged the influence of contemporary life on his work, even seeing in Ashitaka's injury from the boar demon, a parallel to the modern scourge of AIDS, which also infects contemporary children with a curse and potential death sentence.

"Princess Mononoke (1997) became the highest grossing Japanese film in that country's history, an honor previously held by E.T. (1982) until the release of James Cameron's Titanic (1997) unseated Miyazaki's status as the most successful film in that country. Princess Mononoke was later usurped as the country's second highest grossing Japanese Film by Miyazaki's Spirited Away (2001).

"Princess Mononoke was acquired by Disney/Miramax for U.S. distribution and the contract specified that Disney could not make any changes to the film other than dubbing it. The script was rewritten by Neil Gaiman, to make its Japanese dialogue comprehensible to an English-speaking audience. The film was dubbed with the voices of famous English-speaking actors like Billy Bob Thornton and Billy Crudup. Ironically enough, Miyazaki has said that he does not like Disney movies - 'I can't help but feel that it looks down on the audience.'

"'I think that a popular movie has to be full of true emotion, even if it's frivolous.'

"Hayao Miyazaki's film is anything but frivolous, containing a message of environmentalism and humanism within its engrossing action-adventure plot line. Princess Mononoke was the first of Miyazaki's films to utilize computer generated animation, in 15 minutes worth of the film's total 133 minute running time. Ten of those minutes were comprised of digital painting, but the bulk of the film is drawn by hand. The film boasts an unprecedented five art directors.

"A perfectionist with an unusual degree of involvement in his films, Miyazaki personally checked all the animation in the film and redrew cels he was dissatisfied with, work generally left to a technical director. But Miyazaki has said his hands and eyes no longer allow him to work in this detailed a manner and that Princess Mononoke will be the last film he does under such rigorous scrutiny.

"Themes of love, nature, the struggle of the weak against the strong are all recurring themes in Miyazaki's work and especially evident in Princess Mononoke. For Miyazaki, the Muromachi Period (1392-1573) in which the film is set marked a turning point in Japan's history, when instead of revering and worshiping nature, the Japanese began to exploit it, mining and clearing primeval forest land. In many ways the upheaval and confusion of that period echoes the similar tumult of our own age.

"One of the key animators along with Isao Takahata, at the Japanese film Studio Ghibli, Miyazaki eventually became one of the Japanese film industry's greatest international successes and animation's heir to renowned directors like Akira Kurosawa. He has said he makes his films strictly with a Japanese audience in mind. As he told Newsweek, 'Of course, I'm delighted that people from other countries also enjoy my films. But I try not to think of this as an international business.'"