REDS (1981) B/W & C widescreen 200m dir: Warren Beatty

w/Warren Beatty, Diane Keaton, Edward Herrmann, Jerzy Kosinski, Jack Nicholson, Paul Sorvino, Maureen Stapleton, Nicolas Coster, M. Emmet Walsh, Ian Wolfe

From The Movie Guide: "Produced, directed, and cowritten by Warren Beatty, who also stars as radical journalist John Reed, REDS is a sprawling yet highly personal epic. Focusing on Reed's tempestuous relationship with feminist Louise Bryant (Diane Keaton), the $45-million production also encompasses a capsule history of the American Left in the early 20th century and depicts the Russian Revolution, which Reed chronicled in Ten Days That Shook the World. Punctuated by the reminiscences of a number of Reed's real-life contemporaries (shot in stark black and white and unidentified, although they include Rebecca West, Henry Miller, and Hamilton Fish) the three-hour-plus marathon shifts the action among a variety of American locales and from the States to the Soviet Union. Among the larger-than-life figures given the personal treatment are Louise's one-time lover Eugene O'Neill (Jack Nicholson), Emma Goldman (magnificently portrayed by Maureen Stapleton, who won a Best Supporting Actress Oscar for her work), Communist party chief Grigory Zinoviev (novelist Jerzy Kosinski), and Max Eastman (Edward Herrmann). Beatty has created a film of DOCTOR ZHIVAGO-like scope and majesty, yet REDS succeeds best in its smallest moments, focusing on the interaction among its carefully drawn characters. Keaton fails to bring the necessary depth to her portrayal and relies too much on her familiar, quirky film persona; but Beatty gives a highly nuanced, appropriately energized performance, and the supporting players are uniformly excellent. The film's chief attribute, however, is also one of its major flaws. In presenting an up-close, personal look at the lives of its famous figures --- particularly Reed and Bryant in their love affair and marriage --- the film sometimes gives short shrift to the world-shaking events that are its unique subject. Nonetheless, the brilliantly designed and photographed REDS is a beautiful, passionate film, both in its stunningly recreated action scenes and its quietest moments."

Besides Stapleton's Oscar, the film also won Best Director and Cinematography (Vittorio Storaro). It was nominated in the additional categories of Best Picture, Actor (Beatty), Actress (Keaton), Supporting Actor (Nicholson), Original Screenplay (Beatty and Trevor Griffiths), Costume Design (Shirley Russell), Art Direction (Richard Sylbert and Michael Sierton), Editing (Dede Allen and Craig McKay), and Sound (Dick Vorisek, Tom Fleischman, and Simon Kaye).